Slide background
Slide background
Slide background
Slide thumbnail

Angel of the Day

psPast Life Reading

      Your angels can help you remember your past lives. By understanding the journey that your soul has made, you can help yourself heal from emotional, spiritual, and physical wounds.

Past Life Reading contains:

        Your past; Your path;
        Previous incarnation; Your lessons.

Reading length: approx 11 pages.

Price: $14.90

            Checkout with PayPal

Archangel

Archangels Reading

      A complete reading about your life covering a period of a year, between two birthdays. Find out what is out there for you: opportunities, dangers and how to avoid them, how to improve yourself and your relations.

Archangels Reading contains:

      Prevision for a year (between two birthdays)
      Important events of the year
      Message from your Guardian Angel

Reading length: approx 20 pages.

Price: $19.90

      Checkout with PayPal

Angel Card

      A divine message form the Angel of the moment. Please wait 5 minutes before asking the next question. Every Angel rules approximately 5 minutes of the day (after 6 hours they repeat). Don’t abuse the Angel Oracle.

How to do it

  1. Clear your mind.
  2. Think about your question.
  3. Click on the picture.

The answer will be revealed for you.

Your Angels

Your Angels

Contains: the Incarnation Angel (with description), the Heart Angel and the Intellect Angel.

Price: $9.95

Love Reading

Love Reading

Contains: your current situation regarding your love life, marriage, hidden things, attitude and future.

Price: $9.95

Career Reading

Job Career Reading

Contains: your current situation, business partnership, your career, attitude and future.

Price: $9.95

Posts Tagged ‘BLAKE’

BLAKE, WILLIAM

The work of the English mystical poet and artist William Blake (1757-1827) is full of visions of angels. Blake, who is known to many for his poem ” Tiger! Tiger! Burning Bright,” was born in London. He attended Henry Pars’s drawing school in the Strand, and at the age of fifteen he was apprenticed to the engraver James Basire. After ending apprenticeship in 1779, he went to the Royal Academy, where he first exhibited a picture in 1780.

In 1783 his friends paid for the printing of Poetical Sketches, and in 1784 Blake married Catherine Boucher, who was destined to be very important for his work. In 1789 Blake issued Songs of Innocence, the first considerable work to be executed by his novel method of “illuminated printing,” combining text and decorations on a simple etched plate.

By 1795 Blake had lived through the American and French revolutions, which left a deep impression. His Songs of Experience (1794) are permeated by undertones of indignation and pity for the human state. These poems also show the strong influence of mystical writers such as Paracelsus, Jakob Bohme, and Emanuel Swedenborg.

Among Blake’s illuminated books are The Marriage of Heaven and Hell (1793), a work mixing satires on Swedenborg with metaphysical and religious discussions; The Book of Thel (1789), a delicate allegory of the descent of the soul from eternity into mortal life; Visions of the Daughters of Albion (1793), in which free love is defended; The First Book of Urizen (1794), containing an account of the creation of the material world and of mankind burdened with the problem of evil; Europe: A Prophecy (1794); The Book of Los (1795); The Book of Aha- nia (1795); and The Song of Los (1795).

Two later and longer poems are the symbolic “Milton” (1808) and “Jerusalem” (1804-20). In “Milton,” the whole problem of an evil world is correlated with Blake’s own psychological struggles. It is in this poem that Blake asks whether Jerusalem could have been built amid England’s “dark, satanic mills.” In the epic “Jerusalem,” man awakes from error and is finally redeemed by union with God. His last major poem, The “Everlasting Gospel” (ca. 1810), is a series of fragments expressing his unorthodox view of Christianity and the life of Christ.

Blake painted and produced occasional engravings for booksellers. On the suggestion of the painter John Linnell, Blake engraved his own designs for Inventions to the Book of Job (1826). For the astrologer John Varley, Blake drew many “visionary heads,” portraits of imaginary visitors, usually historical characters. Among these was the celebrated “Ghost of a Flea.” He also worked on one hundred illustrations for Dante’s Divine Comedy. The Bible was always his favorite source for subjects, and when illustrating the poets, such as Milton or Bunyan, he chose semireligious themes.

Blake’s works, both his writings and his drawings, are full of angels, and much of his imagery and symbolism are adopted from Bohme and Swedenborg, both of whom deviated from prevailing theological opinion. Bohme was a mystical and theosophical writer, whereas Swedenborg was a scientist who devoted himself to studies arising out of what he claimed to be persistent communications from angels and other agencies in a spiritual world. Blake was influenced by Bohme’s idea that there are three principles-heaven, hell, and our own world-and that every spirit is confined in its own principle, the evil angels in hell and the good in heaven.

In the frontispiece to The Marriage of Heaven and Hell, Blake shows each kind of spirit in its own dwelling, one of either fire or light. In the drawing entitled Good and Evil Angels, he represents the Devil as blind and thus unable to see the Good Angel, whom he is trying to approach but cannot, since neither can perceive the other, one bathed in the light of God and the other covered by blackness and encompassed by burning fire.

Blake was a Platonist and was also knowledgeable about reincarnation and the karmic principle. He saw angels, good and evil, as the real forces behind the weaknesses and the triumphs of mortal men and women. Blake insisted that eternity is complete harmony, and therefore angels and spirits are androgynous, with no separate principles of male and female, but only the one of humanity.

Choose your Angel and stay in touch: